Roses are the essence of May in the English Cottage Garden!
Foxglove, Hosta, and Clematis are the stars of my garden in May!
- Clematis (asurreygarden.wordpress.com)
My back garden is, well, it’s very steep. I twist my ankle every time I take a stroll in it. I call it Mt. Everest.
I have some nice David Austin rose bushes planted in the border, but this year my gardening goal is to make a beautiful Gertrude Jekyll-style border for my bees who live at the bottom.
So far I’ve planted lots of lavender and some lambs’ ears. Today I’m planting nepeta and lilies. I’m thinking about buying golf shoes to garden in.
To keep myself motivated, I’ll post the progress of my border throughout the rest of the season. Wish me luck!!
This Friday, April 26 is Arbor Day in the US. It’s a day when individuals and groups are encouraged to plant and care for trees.
Arbor Day originated in Nebraska on April 10, 1872 and an estimated one million trees were planted that day. Many countries now observe a similar holiday.
Planting trees is also very good for honey bees.
Did you know that trees provide most of the surplus nectar and pollen for bees? Or that 5 or 6 trees produce as much nectar and pollen as a whole field of wildflowers?
Most people don’t. That’s unfortunate because planting a tree, especially in an urban area, is one of the most effective things you can do to help save the bees.
So what kind of tree belongs in an English cottage garden? The only trees that can be said to be truly authentic to the cottage garden are fruit and nut trees. An added bonus is that bees love them!
The notion of planting a tree for shade would have been totally foreign to cottage gardeners. A tree was worthy of space in the garden only for what it could produce for the table. Most of these traditional trees weren’t large and were further pruned back to reduce their height for ease of harvest.
Apple trees were by far the most common type of tree found in a cottage garden. Cultivars which are especially suitable are Heyer #20, Parkland, and Rutherford.
So plant a tree and save a bee this Arbor Day!
There is no spot of ground, however arid, bare or ugly, that cannot be tamed into such a state as may give an impression of beauty and delight.
Gertrude Jekyll (1843-1932) was an influential British horticulturist, garden designer, artist and writer. Her brilliant designs continue to inspire gardeners everywhere.
Gertrude was born into a prosperous family and was educated in the arts from an early age. Jekyll’s brother, Walter, was a friend of the author, Robert Louis Stevenson, who borrowed the Jekyll family name for the title of his psychological thriller, Dr. Jekyll and.
When she was 18, Jekyll was admitted to the South Kensington School of Art, where she studied painting, as well as botany, optics and the science of color. She would have had a career as a painter had not her sight begun to fail.
As her eyesight dimmed, Jekyll conceived the idea of creating art works from flowers and shrubs, and turning the design of gardens into an art form. She started to design simple cottage gardens and, as her career advanced, produced grand designs for country houses.
Jekyll was greatly influenced by William Morris, one of the founders of the Arts and Crafts Movement in art, architecture, and crafts during the late 19th century. Morris advocated a return to an informal planting style based upon an idealized English cottage garden. Jekyll shared Morris’s mystical view of nature and drew on the floral designs in his textiles for her garden designs.
In 1889, Jekyll was introduced to the architect, Sir Edwin Lutyens, with whom she began an association, creating landscapes for his avant-garde constructions. This successful partnership, with each influencing the other, resulted in one hundred Lutyens/Jekyll designs and greatly contributed to the English way of life.
Jekyll was a formidable plants-woman, who experimented with plants in her own garden at Munstead Wood in Surrey before recommending them to anyone. She taught the value of ordinary plants familiar to gardeners today, Hostas, Bergenias, Lavender and old fashioned roses.
Gertrude Jekyll concentrated her design work on applying plants in a variety of settings, woodland gardens, water gardens and herbaceous borders always striving to achieve the most natural effect. She had an artist’s eye for color and contrasted plant textures to great effect.
Jekyll was the author of 15 books, her most famous being Wood and Gardening, a guide to the creation of gardens in a variety of climates and conditions. She was a prolific designer, completing around 350 commissions in England and America, many of which still exist today.
In 1986, the rose breeder David Austin created a deep-pink shrub rose and named it in Jekyll’s honor.
Jekyll died on December 9, 1932 at Munstead Wood, Surrey. She is buried in St John’s Churchyard, Busbridge. On her tombstone is inscribed the simple epitaph by Sir Edwin Lutyens, ‘Artist Gardener Craftswoman’.
- Spring arrives at Salutation, a garden inspired by Gertrude Jekyll (telegraph.co.uk)
- Hestercombe, near Taunton (greatgardensforkids.wordpress.com)
Eva Crane (12 June 1912 – 6 September 2007) was a researcher and author on the subjects of bees and beekeeping. Trained as a quantum physicist, she changed her field of interest to bees, and spent decades researching bees, traveling to more than 60 countries, often under primitive conditions.
The New York Times reported that “Dr. Crane wrote some of the most important books on bees and apiculture” and noted “Her older sister, Elsie Widdowson, who never retired either, helped revolutionize the field of nutrition, showing similar energy chasing seals on ice floes to study their eating habits.”
Born as Ethel Eva Widdowson in London she earned a Ph.D in 1941 in nuclear physics. She became a lecturer in Physics at Sheffield University. She married James Crane, a stockbroker serving in the Royal Navy Volunteer Reserve, in 1942. Her husband died in 1978.
Her interest in bees began when she and her husband received a beehive as a wedding present; the giver had hoped that it would help supplement their wartime sugar ration.
Crane wrote over 180 papers, articles, and books, many when she was in her 70s and 80s. Honey: A Comprehensive Survey (1975), in which she contributed several important chapters, and edited, came about because she told the publisher (Heinemann Press) that a book on the subject was sorely needed. Although now out of print, it remains the most significant review on the subject ever written.
A Book of Honey (1980) and The Archaeology of Beekeeping (1983) reflected her strong interests in nutrition and the ancient past of beekeeping.
Her writing culminated in two mighty, encyclopaedic tomes, Bees and Beekeeping: science, practice and world resources (1990; at 614 pages) and The World History of Beekeeping and Honey Hunting (1999; 682 pages). These distilled a lifetime’s knowledge and experience and are regarded as seminal textbooks throughout the beekeeping world.”.
She died at the age of 95 in Slough.
- Role Models in Science & Engineering Research: Eva Crane – World-Authority on Bees [USA Science and Engineering Festival: The Blog] (scienceblogs.com)
- Women’s Ways in the Beeyard (emilynicholsphotography.com)
- Romancing The Bee’s “Countdown To Spring” Giveaway! (romancingthebee.com)
- Domesticated and Wild Bees Are Both in Trouble (readersupportednews.org)
- Researchers id queens, mysterious disease syndrome as key factors in bee colony deaths (eurekalert.org)
- Local Gardeners Raising Mason Bees May Solve Almond Industry’s Honey Bee Pollinator Woes (prweb.com)
- California Almond Crop Threatened by Honey Bee Shortage Colony Collapse Disorder (CCD) Suspect (prweb.com)
- The American Bumblebee Is Crashing, Too (blogs.smithsonianmag.com)
- Who Will Save The Honey Bee? EU Mulls Pesticide Ban While US Set to Approve More (wakingtimes.com)
- Researchers identify queens, mysterious disease syndrome as key factors in bee colony deaths (sciencedaily.com)
Julia Morgan, a pioneering woman architect, designed and built one of the most legendary private homes in the world, Hearst Castle.
Hearst Castle is a National and California Historical Landmark mansion located on the Central Coast of California, United States. It was designed by Ms.Morgan between 1919 and 1947 for newspaper magnate William Randolph Hearst, who died in 1951.
In 1957, the Hearst Corporation donated the property to the state of California. Since that time it has been maintained as a state historic park where the estate, and its considerable collection of art and antiques, is open for public tours. Despite its location far from any urban center, the site attracts about one million visitors per year.
Hearst formally named the estate “La Cuesta Encantada” (“The Enchanted Hill”), but usually called it “the ranch”.
Julia Morgan was born in San Francisco on January 20, 1872 and grew up in nearby Oakland. She was one of the first women to graduate from University of California at Berkeley with a degree in civil engineering.
During her tenure at Berkeley, Morgan developed a keen interest in architecture which is thought to have been fostered by her mother’s cousin, Pierre Le Brun, who designed the Metropolitan Life Insurance Tower in New York City. At Berkeley one of her instructors, Bernard Maybeck, encouraged her to pursue her architectural studies in Paris at the Ecole Nationale et Speciale des Beaux-Arts.
Arriving in Paris in 1896, she was initially refused admission because the Ecole had never before admitted a woman. After a two-year wait, Julia Morgan gained entrance to the prestigious program and became the first woman to receive a certificate in architecture.
Miss Morgan opened her own architectural firm in 1904, quickly establishing herself as a fine residential architect, and securing a number of commissions in the Piedmont, Claremont and Berkeley neighborhoods. Morgan’s style was characterized by her use of the California vernacular with distinct arts and crafts attributes, including exposed support beams, horizontal lines that blended with the landscape and extensive use of shingles, California Redwood and earth tones. One of her first independent projects was the bell tower on the campus of Mills College in Oakland, which withstood the great 1906 San Francisco earthquake.
Other notable projects included the rebuilding of the Fairmont Hotel after the 1906 quake, the Asilomar Conference Center in Pacific Grove, California and a series of YMCA buildings in California, Hawaii and Utah. Throughout her career she designed nearly 800 projects in California and Hawaii.
In 1919 William Randolph Hearst hired Julia to design a main building and guest houses for his ranch in San Simeon, California, which would later become the Hearst Castle. Mr. Hearst instructed her to build “something that would be more comfortable” than the platform tents which he previously used at the ranch. Morgan’s classical training in Paris, her background in engineering, and her use of reinforced concrete, suited her well for the project.
Over the course of the next 28 years, Morgan supervised nearly every aspect of construction at Hearst Castle including the purchase of everything from Spanish antiquities to Icelandic Moss to reindeer for the Castle’s zoo. She personally designed most of the structures, grounds, pools, animal shelters and workers’ camp down to the minutest detail. She also laid out the estate’s 127 acres of gardens.
Majestic Coastal Live Oaks and California Bays, native to the hilltop, are carefully integrated into the garden design. These and other large trees, such as Italian Cypress and Mexican Fan Palms, help to integrate the scale of the towering main house, Casa Grande, with the smaller scale of the surrounding gardens and guesthouses. William Randolph Hearst wanted a garden that displayed a profusion of blooms throughout the year. Plant species that bloom during each of the different California seasons were selected for the beds, and colors abound in the historic gardens throughout the year.
Colorful flowers such as bougainvillea, tulips, hyacinths, gladiolus, lilies, dahlias, asters, geraniums, lantana, petunias, pansies, sweet peas, hollyhocks, marigolds and carnations were some of the many varieties grown throughout the gardens. Greenhouses were used to grow annuals from seed, to propagate shrubs, and to raise tuberous begonias and gloxinias. Additional flowers were purchased from nurseries to fill the garden landscape. Hundreds of thousands of annuals, bulbs and perennials were planted throughout the year to provide the color displays Hearst enjoyed in his gardens.
In the late 1930′s Mr. Hearst’s financial woes slowed the pace of her Hearst commissioned work to a crawl. However Miss Morgan had always maintained a sizable client list, working on other commissions in conjunction with the Hearst endeavors. In 1947, upon Hearst’s leaving the Castle for the last time, Julia Morgan’s work at San Simeon was finished although the Castle was never completed in its entirety.
Julia Morgan retired in the early 1950′s and led a quiet life until her death in 1957.
- Julia Morgan San Francisco House Hits The Market (PHOTOS) (huffingtonpost.com)
- Near her birthday, a Julia Morgan home comes on the market (sfgate.com)
- ‘Citizen Hearst’ documentary to be shown at Hearst Castle (sanluisobispo.com)
- On the Market: Julia Morgan Stunner Swoops Onto the MLS (sf.curbed.com)
- Hearst Castle…A Dream come true (tracywburgos.typepad.com)
- Castle the perfect spot for ‘Citizen Hearst’ (sfgate.com)
- Earthquake hits near Hearst Castle (upi.com)